Clown Christ Superstar Part 2
Christ as The Original Anti Racist
We left off in part one describing the death of Moses per order of Yahweh. After that ending to the Torah we begin with the 6th book of the Old Testament- Joshua.
Just Joshing Ewe: Who finds this all funny?
It’s worth a note the one who fulfills the quest of delivering the exiled Jewish people to the Promise Land is named Yeshua, but here (and in almost all translations) we do not get that Hebrew name but Joshua, a westernized transliteration of Yeshua, the Jew’s name for Jesus. The short form of Joshua is Josh, and lower case J josh is a verb which means to joke.
In other words, his name shan’t be spoken by these Jews, as Yeshua is but a josh. Or a Joker.
In my previous entry here ‘Christmas On Saturn’ I utilized the phenomena of anagrams as spell breaking in an illusory world functioning much differently than we’ve been told.
In that illustrated essay I wrote:
Hebrew speaking Judeans would call Jesus ‘Yeshua’. They also believe he was a false messiah- and Christians would call a false messiah either an anti-Christ or Satan. The Muslim name for Jesus is Isa. I’ve suggested Judaism and Islam are Abrahamic while Christianity, despite what you’ve heard, clearly isn’t. Seen below, an anagram for the phrase ‘Yeshua is Satan’ is ‘Isa’s euthanasy’ aka Jesus’ painless death- like a beheading (or a sniper’s headshot). Athanasy is the absence of death or everlasting life; it shares the same etymological root as the more commonly known term euthanasia. We can also see the scales of justice as code for ‘just ice’ as in freezing to death.
Yeshua is Satan?
What do I mean here?
Turning the King of a Hill into a Queen of The Mountain
The recurrent theme I’m unpacking in this series is that celebrated media from holy books to modern pop culture have routinely tapped into a Christlike pattern and inverted it to celebrate (encourage) evil, or weaponized it to capitalize on perceived victimhood. Weaponized victimhood is at the very core of the modern leftist construct of “intersectionality” - where society is encouraged to celebrate individuals for no other reason than their perceived victim status. According to the farther reaches of the Left, so called ‘cis-gendered white men’ are at the very bottom (unless they’re Ashkenazi, the Caucasian man’s get out of cancel culture jail free card). In this new hierarchy, itself an intellectual construct form of revenge on a perceived king of a hill, self-described non-binary disabled people of color are the new cat’s meow. The spirit is one of revenge, not reconciliation, never mind moving on. Pseudo-intellectual rhetoric aside, their goal is to invert the perceived corrupt power structure and use it to discriminate the discriminators. They’re becoming their perceived enemies - discriminatory bigots. This is the inversion and weaponization of the Christ story and one doesn’t need to be a gnostic seer to understand it- (but I happen to be one anyway).
Hungarian Crypto-Jew Albrecht Dürer didn’t celebrate Christ in this etching, it’s an encoded mockery. When we combine Dark and light Jesus we get a black devil.
And Moses showing the bronze serpent on a pole to diaspora Jews in the Book of Numbers is a symbol of the future - the lynching of Jesus on a tree as the serpent in the garden in the tree of life.
Frozen on a pole. The pole ice.
Shakespeare or Chuck It?
I’m going to fully explain a Valentinian exegesis of Paul and Luke’s mystery - the story of Jesus Christ as leader of a multiracial movement seeking to separate his followers from the genocidal racism of Jews and Romans into a parallel society in a future post, but suffice to say here - Christ was lynched by racists who hated him for illuminating his followers hearts instead of leading them into more warfare. In doing this, Christ inspired Jews to see their Roman oppressors as brothers in arms against a common enemy- love and forgiveness. After all, what’s a god of war if there’s no wars?
And so the Jewish leaders called the C.O.P.S -
The Catholic - Orthodox - Protestant - Satanists.
You shall know them by their fruits.
The Pole-Ice
Luke and Paul show us how Christ was lynched and hung from a tree for proclaiming the end of Yahweh’s mandated cultural apartheid and racially motivated genocides by a viscously misled hateful group who worshipped a
Eyes Toosie: The May Trix For Black Guise Only
In the new Joker film Lady Gaga as Harley Quinn wears make up reminiscent of Pris, Daryl Hannah’s pleasure model replicant in Blade Runner, The Comedian from DC Comics adaptation The Watchmen, and Brandon Lee in The Crow. Look closely at The Comedian’s Newspaper…
Now, notice the resemblance between tragically killed The Crow star Brandon Lee and tragically overdosed Heath Ledger. Brandon died and went “down under” and remixed his career. The joke is on us if we think that Brandon Lee was killed with a prop gun on the set of The Crow that had a misloaded blank.
Breaking The Spell
Fun Facts and Pattern Maps:
- A ledger is a book of financial reports, or a flat stone slab covering a grave.
- The names Brandon Lee and Heath Ledger can be anagrammed together to spell the following phrases:
1. “nth Label - Dead Hero Genre” - as in for the nth time - the world is a stage and the new hero is the anti hero revenge saga. The Crow is an anti-hero returned from the grave to exact revenge on his and his fiancé’s killers. A Proto Mahdi. The Watchmen begins with the murder of The Comedian and it’s revenge. Pris in Blade Runner, like the other Nexus 6 Replicants, wants revenge for being designed for slavery with a 4 year life span (ensuring no evolution of consciousness). Batman seemingly wants perennial revenge for the murder of his parents while Joker is trauma-bonded or “imprinted” with childhood abuse he doesn’t know what to do with. But Harley Quinn is just an attention seeking psycho.
2. “Go and Reheat Hellbender” - A hellbender is a type of salamander - allegedly a sacred symbol of alchemists because of its ability to temporarily withstand fire as well as regenerate severed limbs. The salamanders, if exposed to forest fire, can excrete a mucus that keeps it from burning for a short period, enough to scamper out of the flames.
3. “Ego Rent Hell Barehanded” - Here, rent means to tear fabric. If you rent a sofa you’re renting - you buy it! Joshing aside, an ego renting the fabric of this definitely non-material realm would need the help of the Architect / Jehovah / Demiurge. Witnesses of the Jehovah’s works are often seen as crazy, but I’ll keep going until some of you begin to see it. That’s my job.
But I digress…
More Patterns Emerge
(I really miss my naga)
“So”, you may be thinking, “what does all this have to do with the recent Joker movie”?
To put all this in context we’ll go back to 2017, when I was self publishing almost daily to my original YouTube platform Polarization Nation Media, which had grown to about 15,000 subscribers and half a million minutes watched a month. I was gaining momentum after making a second consecutive accurate prediction about a Super Bowl outcome embedded in a major film; that one was about the 4th quarter 28/28 tie score leading to Super Bowl LI’s unprecedented overtime and how it was embedded in Christopher Nolan’s The Dark Knight Rises (other youtuber’s would go on to notice eerie symbolism for the Sandy Hook shooting, Trump speeches, and co-vid in the same film). I also speculated accurately about several terror attacks, mass shootings, and emergent political paradigms before uploading in the summer Manifesto 1: Everybody Is Tyler Durden, a now disappeared micro-doc that explained my concept of Memethink and predicts how it would be used to incite the BLM movement’s riots, nationwide looting, and arson years in advance. Then I was shown what I call The Overlays Method while observing symbolism in the then recently restored Salvatore Mundi, allegedly a lost painting by Leonardo daVinci which sold at auction to the Prince of Saudi Arabia for a record breaking 149 million dollars. Shortly after that, in August, I used precognitive symbolism in AMC’s The Walking Dead series to predict the largest mass shooting in American history at Mandalay Bay in Las Vegas, just over a month before it happened. I was on a roll, then my page was disappeared and the Q Anon conspiracy became an internet phenomena a month later, in October 2017. Since then my work has been repeatedly marginalized by algorithms like the ones used to manufacture the current world-wide homogenization of culture. This is what I refer to in the advisory appearing in many of my YouTube videos:
“THIS CONTENT IS FOR EDUCATION AND FACILITATING SELF-EMPOWERMENT. HOWEVER, THIS PLATFORM EXISTS TO CULTIVATE AN ADDICTIVE AND ABUSIVE CO-DEPENDENT RELATIONSHIP WITH A VAPID, MATERIALIST POP-CULTURE WHILE DATA-SCRAPING ALGORITHMS SYNCH YOUR PERSONAL METADATA ONTO PATTERN MAPS USED TO ANTICIPATE THEN INVERT EMERGENT TRENDS IN OUR COLLECTIVE EVOLUTION OF CONSCIOUSNESS IN AN EFFORT TO COMPROMISE OUR ONGOING MASS-AWAKENING.”
So, there’s that.
The targeted self-empowerment I am referring to above is the reality of the staged nature of this world co-opting our very real co-creative faculty which I have been displaying and evidencing for years online. Although almost all of my media pre-2019 has been relegated to the trash heap of censored internet history I still have plenty of time-stamped predictions and pattern maps online showing the future before it happens. I’ve even made some artwork and videos myself with the intent to change reality - and they appear to at least have assisted in doing just that. If the accounts from scripture are correct, humans possess a creative and intelligent aptitude the lower case g gods and demons do not, and because of it they despise or at least envy us.
In short- collectively co-created entities of our own making are working, psychologically, through and with the architects of our modern mythology to create spectacles temping us into acquiescing, with our God-given abilities, to the desires of spiritual thought-forms or egregores. We’re making our lower case g gods in our own image before worshipping them. It’s a hall of mirrors we become enraptured by. This is driving manufactured narcissism - as well as the acquiescence to a homogenization and teenageification of culture.
In the inverted world of Acts 17 - Kids get the adult stuff and adults, so-called, get the kid stuff. Patterns emerge…
Don’t Tell Mom the Babysitter’s A Perv Robot
We call these emergent trends in media manufactured temptation and hypnosis “pop culture”, but I like to think of pop as code for the big POP- THE PRINCE OF THE POWER OF THE AIR as he’s called in the New Testament.
Ephesians 2:1-2 (ESV Translation) reads:
And you were dead in the trespasses and sins in which you once walked, following the course of this world, following the prince of the power of the air, the spirit that is now at work in the sons of disobedience—
The devil calls your name, but you must choose to play his game.
The ‘sons of disobedience’ here and elsewhere in Christian scripture are the new anti-heroes first test driven in the classic comic books Dr Fredrick Wertham warned us about in Seduction of The Innocent, which opens with this key:
"And I verily do suppose that in the braines and hertes of children, whiche be membres spirituall, whiles they be tender, and the little slippes of reason begynne in them to bud, ther may happe by evil custome some pestiferous dewe of vice to perse the sayde membres, and infecte and corrupt the softe and tender buddes."
—Sir Thomas Elyot
(1531
It took decades for Hollywood to catch up to the stylized hybridization of sex and violence questionably talented artists and writers sold to kids in the 50’s through comics, then the most widely circulated form of media in America. The kids growing up on this stuff would later create slickly produced trash for Hollywood that quickly juxtaposes explicit gratuitous sex scenes with graphic violence and intrigue, leading to a flood of conflicting hormones and adrenaline in an audience now seeking the relief of these new commingled urges and impulses in what has become the internet’s main attraction - modern pornography- the new low point of human culture.
Gone is the silly camp and four color vintage screen tone of classic comics printed on cheap pulp - in its place are sophisticated R-Rated productions starring Oscar winning talent darkly lit and bombastically scored by the modern Stravinskys of our time. Adam West has been sent East of Eden for those with eyes toosie the new batshit.
Fun Facts and Pattern Maps: Seeing Red Videos
* The name Vladimir Putin, the media’s Red Scourge Mascot of the 21st century, is an anagram for “Put Livid In Arm”
* Livid is the sickly color attributed to one of the four horsemen of apocalypse
* Co-Vid embeds CO, the abbreviation for Colorado, which translates to ‘Color Red’- and Vid - as in Video
* The Cold War gone warm movie ‘Red Dawn’ takes place in Colorado
* Colorado is the birthplace of the modern school shooting phenomena
* Red is the lowest vibration in the visible spectrum and typically stands for anger or stop
* Donald Trump ruined red hats, and hat + red = Hatred
Are you angry yet, Adam, or are you still in possession of your Eyes Toosie?
(Asking for a friend)
Back to Mary Magdalene and the girl in the net.
We’ve touched upon the integration of the Moses pattern into the symbol of Christ - a militarization of the messiah Judeans thought would end oppression with more war. It began in our modern era with the creation of Superman.
“This war on terror… it’s gonna take a while.”
-George W Bush
Superman - the leftist bully?
In Champion of the Oppressed: Redescribing the Jewishness of Superman as Populist Authenticity Politics Christopher B. Zeichmann of Emmanuel College, University of Toronto describes the evolution of a formerly local leftist activist Superman into a world super power:
The present article aims to locate the first year of Superman stories (Action Comics #1–12, June 1938–May 1939) within American Jewish authenticity politics of the period, specifically relating to the radical Jewish left. Though this may sound odd, the earliest Superman comic book stories are firmly entrenched in populist politics of the Left, and this article will suggest that they locate Jewish identity in such politics. Contrary to what one might expect, it took an entire year for Superman stories to enter the science-fiction/fantasy genre with which they are presently associated. Superman’s foes were exclusively ordinary human beings during his first year of publication, and it was not until Action Comics #13 (June 1939) that Superman encountered someone with superhuman abilities; the evil genius Lex Luthor did not appear until Action Comics #23 (April 1940). After their first year, Superman stories gradually progressed toward a science-fiction/fantasy genre, with the leftist politics falling by the wayside.
Jokes Made Flesh
This movement from leftist politics to complete fantasy is the pattern increasingly insecure, detached, and overwhelmed adults enamored with Hollywood entertainments are tempted to buy into as social media influencers acting as contagion super-spreaders of an influenza of the mind delude younger generations raised on the fun house mirror of meta-world internet content into thinking they too can save the world (as their relationships and neighborhoods go to shit). Now young and grown women alike increasingly wear revealing semi-sheer ‘yoga’ leggings typical of superheroes while cuckbois in skinny jeans and trendy Bible beards follow suit, and teens of all stripes are engaged in low-info political theatre, faces down in their phones, calling nobody while constantly ranting about their weaponized victimhood or toxic meme sharing about a world run on the master builders’ ‘fake it til you make it’ ploys.
Just as the movies are based on comic books, our reality is increasingly based on jokes made flesh. This is the stuff of inverted placebo effects. At the heart of this is the manipulation of a hidden co-creative language. It’s outside the scope of this or any single post - but I’ll return to the way in which the language we describe these phenomena maps into a larger clarifying gestalt.
Oh yeah - Yoga is A Goy spelled backwards.
Too Much Dope?
For now, consider how Avenger Captain America takes a “super soldier serum” injection to become the man he wanted to be, and how we are faced with an opioid epidemic promulgated by new toxified heroin, and how news and information used to be called “dope”, but now the dope/info is weaponized, and how ‘gay’ used to mean happy, and now confused gay teens consume toxic dope / info online and suddenly want to take a shot to become heroines as the earth gets hotter and we keep plunging our rigs into the black tar of the underworld, tainting the air / pneuma all the while mingling with demons and the dark occult is now commonplace bad dope streaming on Disney platforms. It goes on and on, but taking it all in can all be a bit too much dope.
“Heroin - it’s coming back in a big way.”
-Eric Stolz in Pulp Fiction, 1995
Fun fact / pattern map:
The pictographic icons constituting the word Pope can be rearranged to spell dope and pedo.
All joking aside (Hurt People Hurt People)
Adult stuff is now kids’ stuff and kids’ stuff of old has morphed into R Rated programming for adult children who’ve physically grown up but lack a rite of passage. Identifying with larger than life unbelievable anti-heroes and wounded villains at the cinema, on their smartphones, at home, the political rally, or the ball game- hurt people hurt people - and the song remains the same.
The lines between truth and fantasy, not to mention politics, sex and violence, have blurred to the point where the most recent Deadpool movie opens with the desecration of a corpse who’s bones are used to stab a man in the groin while the protagonist, who calls himself “Marvel Jesus”, simulates masturbation with a severed limb protruding from his enemy’s punctured pelvis- all in slow motion. We have reached an intolerable low point here, but almost everybody seems to be asleep.
If Deadpool called himself “Marvel Muhammad” theaters would be on high alert and Ryan Reynolds would need full time security protection from Muslim Arthur Flecks.
The I AM - It’s A Musical !
Muse sic to whose ears?
The tagline for the new Joker: Folie a Deus is a Shakespearean quip “The World Is A Stage”.
If one minds the gap- so to speak- we can spell ‘The World Isa Stage’; Isa being the Arabic name Muslims use for Jesus. This brings me back to the overall pattern I’ve sketched out here- the weaponization and co-opting of the Christian Christ into an Abrahamic avenger. Hell, the highest grossing heroes of cinematic history are called The Avengers. If this isn’t an obvious sign, you weren’t paying attention (you were paying for theatre tickets and streaming services, though).
The psychological manipulation of the masses through what most will see as bizarre, if not esoteric, synchronizing language patterns hinted at above (and in my first essay, What Is The Gnostic Reclamation?) will take some time to illustrate in future posts, but there is a more obvious and easier to understand manipulation happening one doesn’t need to be gnostic or a seer to understand.
You Mahdi, Bro?
Weaponizing Reappropriated Victimhood
“Every generation throws another hero up the pop charts.”
-Paul Simon , The Boy In The Bubble
I’ve suggested younger generations and adults alike, raised in the 21st century gnostic-tinged meta-world of ubiquitous Internet-spawned social contagion are programmed to be increasingly narcissistic while adopting victim status identities from celebrities, influencers, and fictional role models they become enamored with in empty godless lives devoid of rites of passage. Heroes - both celebrity icons and on fictional characters (sometimes - that’s the same thing) go through a rite of passage one may unconsciously desire, albeit most are staged.
Pop star Rhianna, for example, had to suffer abuse from Chris Brown before allegedly becoming a billionaire selling Fendi products, and you too, young lost ladies, can become famous, obscenely wealthy, and one day maybe even simulate masturbation at the Super Bowl Half Time Show! In fact, your shitty partner is just the penance for your big payday, coming soon! Keep logging online for the next best thing…
Scholar’s and historians of 20th century American culture tell us the superhero is not only a Jewish American creation but the original hero Superman is based on Moses. In Exodus, Moses is hidden as an infant and secretly raised by Egyptians after Pharaoh orders the death of male Hebrew newborns. Nursed in secret and later adopted by Pharoah’s daughter, Moses kills an Egyptian, hides the body and flees. He’s later described altering Jehovah’s Law and committing “great acts of terror” before being killed by the Lord and his body hidden outside the promise land never to be seen again.
Christ is sent into the world from beyond, only part human, and his parents flee with him into Egypt after King Herod orders, upon learning from the Magi of the Christ child’s birth, to kill infants up to two years old. Jesus describes his alien nature several times. John 8:23 reads:
He said to them, “You are from below; I am from above. You are of this world; I am not of this world.
The pattern of Superman, however, clearly maps onto Christ more closely than that of Moses, who is more of a Batman character - both white and black and raised under the oppression of trauma. Superman is sent from Krypton to Kansas, displays his abilities early, avoids killing people, and is later killed by Doomsday before resurrecting into four new Supermen. The irony isn’t lost on me that the young Ashkenazi men using their creative faculty to imagine a super-Moses ended up describing more of a Jesus pattern.
Blue Eyes and Black Guise
Joker 2 features Non-stop smoking: Pneuma is breath and spirit and wind. Being addicted to smoking is a sign of demonic influence causing bad breath. Cops trade Arthur cigarettes for his telling a joke- encouraging the demon.
Slim Shedim and The Clown Code
Why Whitey Ford sings the Blues
This leads us, finally, to the psychological abuse that is the recent Joker film, now streaming on HBO Max just in time for Christmas- itself celebrating, at least in it’s esoteric pattern, the death, not birth, of Christ. Think of the sun as a star and the pagan Roman remix of Christ as a solar deity - hence the misnomered 12 disciples and forgotten 72 apostles.
The man behind the make up- Arthur Fleck - is a real victim of serious childhood trauma. As a child from a broken home who saw abandonment, physical and psychological abuse, and even a violent kidnapping by the time I was five years old, even my story pales in comparison to the fictional life of Arthur Fleck- a man driven to psychosis and detachment and eventually murder. So here we see the abused child become a violent clown.
In this sequel, Arthur Fleck is in prison facing a high profile trial for five (actually six) murders. It seems very often like a retelling of the first film, but here the voice in Arthur’s disturbed mind is externalized and embodied in the psychotic character of Harley Quinn portrayed by Lady Gaga in what is the most over-rated on screen performance in several years. Although Arthur believes his new admirer is not unlike him- he comes to find out she’s a woman of privilege who’s antagonizing him to escape with an impossible dream of “building a mountain from a hill” after making a brief escape from prison. Gaga / Harley Quinn here is a delusional attention seeker who claims she will “make a mountain out of a hill”. She’s a demon feeding off Arthur Fleck to keep Joker alive. We see here not only the vampires sucking the lifeblood of the Christ story for their own self aggrandizement and white collar sustenance, but a more recent version of this recurring phenomena - the curious case of Eminem aka Slim Shady. In Hebrew the demons are called Shedim. Marshall Mathers took his name, reduced it to initials, and but it under a bad spell to get Eminem- the white clown. His darker impulses were described as coming from his other alter ego Slim Shady. This Detroit Motor City motormouth’s career was built on complaining about women and talking shit about easy targets - like Moby, an instrumental musician who owned a vegan cafe and seemed like a nice guy. In hindsight, it’s a pretty pathetic story - even if the demonically influenced robot could rap.
“I sold my soul to the devil and I’ll never get it back” - Eminem
Now consider the circus clown show patterns of the fools in big pants with nappy hair wigs and false big noses dancing around in white face while African animals are routinely abused and left in cages while kids eat popcorn. The entire enterprise is disgustingly racist and almost nobody says a word- and you’ll find zero content online outside this post claiming the Barnum and Bailey’s type circuses are a giant racist joke, just like Eminem and the modern Christian churches, where psychphantic morons use a few lines of scripture or gatekeep the anti-race war nature of the original Christian movement so they can buy another Ralph Lauren sweater, play golf, and take another missionary trip to a Philippines or Argentinian hotel to hand out Jewish scripture promoting racially motivated genocide sewn onto the back of obfuscated gnostic Christian wisdom.
In the end, Arthur Fleck ends the charade of defending himself as Joker - the clown / fool tarot - and admits to the jury his crimes and motivations. He comes clean right before the terrorists he inspired blow up the courtroom and he gets out- returning to the stairway of heaven to meet his beloved, who lets him know her true motives. She leaves as the police arrive and bring Arthur back to jail and the whole thing suddenly becomes clear - it’s a musical and it’s all mental.
The I AM :
It’s a Musical
It’s All Mental
Arthur never left prison- the entire musical was all in his head. Lady Gaga’s character Harley Quinn, who’s real name I Stephanie, is a real life student of satanic occultist Maria Abromavich, who, more than any other “modern artist” has illuminated how lost and satanic this increasingly leftist pop culture really is. The Left itself is the clown show; built on tolerance and anti-racism and encouraging a lack of shame in folks born different - they’ve become a beacon for sad pride, jealousy, revenge and horrible taste in music. It’s worth noting in Gaga’s biggest number in Joker 2 she’s what honest critics would call - off the record- “blacking it up”. And a bird with a hypertrophied left wing only goes around in circles. Abromavich taught Gaga how to use her lack of a soul to make room for demons that captivate the lost seekers.
Arthur Fleck loses the Joker act and gets real - and shortly after is violently murdered in prison by a man who tells Arthur a joke, stabs him in the abdomin repeatedly, then uses the shank to cut his mouth into a violent permanent smile. The demon left Arthur, but the Joker lives.
Wait til he find out the real JOKE: Jesus Only Killed Everybody.
Welcome to the bardo…
And you were dead in the trespasses and sins in which you once walked, following the course of this world, following the prince of the power of the air, the spirit that is now at work in the sons of disobedience— among whom we all once lived in the passions of our flesh, carrying out the desires of the body and the mind, and were by nature children of wrath, like the rest of mankind.
Ephesians 2:1-3 (ESV Translation)
To be continued…